project image
Isaac Scott
DELIVERING DEMOCRACY: DANCING MAILBOXES AND BALLOT BOXES VERSUS AUTHORITARIAN DISINFORMATION

first performed on October 25, 2020
on the streets of Honesdale and Hawley, PA, Honesdale and Hawley, PA
performed 100 times in 2020

L.M. BOGAD / STRIKE ANYWHERE PERFORMANCE ENSEMBLE / FARM ARTS COLLECTIVE / LEESE WALKER / ROLF STURM / ANDREA ARIEL / JENNIFER VERBALOW

Berkeley, CA
lmbogad@gmail.com
lmbogad.com

DELIVERING DEMOCRACY: DANCING MAILBOXES AND BALLOT BOXES VERSUS AUTHORITARIAN DISINFORMATION
L.M. BOGAD / STRIKE ANYWHERE PERFORMANCE ENSEMBLE / FARM ARTS COLLECTIVE / LEESE WALKER / ROLF STURM / ANDREA ARIEL / JENNIFER VERBALOW

During the climax of the 2020 electoral struggle, my colleagues and I created “Delivering Democracy”: a troupe of dancing mailboxes and ballot boxes that performed around Pennsylvania (including two stilt-walking mailboxes—our “air-mail” contingent, and an accordion-playing mailbox). Pennsylvania was one of the “battleground” states in the election, where Trump and the Republicans tried to delegitimize the (mostly-Democratic) ballots that were cast by mail, and to prevent those hundreds of thousands of votes from being counted. I envisioned this troupe of dancing mail/ballot boxes as an irresistible image, an image so compelling in some strange and ineffable way that even our political opponents would reproduce it. A playful, dream-image that would surf widely on the collective anxiety surrounding the issue of mail-in ballots, and the fear that the authoritarians would steal the election by force or fiat.

The goal was to entertain and uplift, disseminate useful voter information in a nonpartisan way, be mediagenic to introduce a cheerfully pro-democratic meme into the culture, defuse violent tension and be disarmingly charming in the face of aggressive authoritarians. Our soundtrack was a version of the old song Please Mr. Postman with pro-voting lyrics. Our choreography was deliberately hokey and playful. We were eye-catching, cheerful and made anyone hurling vitriol at us look absolutely ridiculous. We gave flyers to onlookers with practical, local how-and-where-to-vote information for their county. I led us in rehearsals for how to speak to the media, and passersby, both in and out of character, about the importance and legitimacy of the vote. We performed in small towns, the city of Scranton, and, in the epic days before and after Election Day, in Philadelphia itself.

We struck a chord—across social media, on late-night comedy shows, in the New York Times, Wall Street Journal, the Economist, Philadephia Inquirer, and many other newspapers, and on television from the USA to Chile, Australia, Brazil, France, Canada, the Netherlands, the UK and elsewhere. We were in an activist viral video that Taylor Swift provided the music for. More importantly, in the streets, at rallies and demonstrations, we embodied weaponized surrealism or mobilized Dada, becoming cheerful, popular mascots of the resistance, and of the very concept that every vote, and every voter, counts. With the fascist assault on the Capitol on January 6, 2021, I feel this message is all the more vital.