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Miao Jiaxin
THE REMIX

first performed on April 19, 2019
Grace Exhibition Space, New York, NY
performed once in 2019

JENNA KLINE

New York, NY

jelliebeers.com

THE REMIX
JENNA KLINE

This piece was a “retrospective” featuring some of my favorite themes, props, costumes, and songs remixed into a mega performance. There were three acts featuring song, dance, and poetry. The performance fragments combined seamlessly to create something entirely new.

Act 1 - The Bunny Hop - Warm Up (2019) - I began the performance with a dedication to Easter. I emerged wearing a fluffy, terrifying bunny mask and danced the traditional bunny hop line dance. I violently tossed out colorful plastic eggs filled with mini donuts and Teddy Grahams.

Act 2 - Ballet of Treats (2016) - For this act, I used “junk foods” including Oreos, Cheetos, and Doritos. I danced the “Swan Lake Waltz” by Tchaikovsky. For the seven and a half minutes, I did an improvised, high intensity dance. The movements were sloppy and awkward because I’m not a trained dancer. I burst open bags of chips and twirled and rolled through the crumbs. The soundtrack, food, and dance blended into a display that was comical, slapstick, and sculptural. The aromas of the snacks filled the air and made the performance atmospheric and immersive.

Intermission - I had a megaphone in one hand and a plastic-wrapped steak in the other and read a prewritten speech to the audience. I have a longstanding performance where I cover my face with a beef steak and sing. “Steak Face” was developed as a coping mechanism to overcome the insecurities I had about performing. I am normally a shy person but when I started to cover my face, I noticed I was able to surpass my limits and sing and dance without shame. I explained that this would be the final time I would be doing steak face because I no longer needed a mask—I had “become the meat.”

Act 3 - Steak Face (2014) - For the final act, I used zipties to cover my face with a slab of raw meat that covered my eyes and mouth. I belted out a muffled rendition of “I Will Always Love You” by Whitney Houston. I chose a song that I loved and knew I wouldn’t be able to sing well. I got very worked up during the performance and was scream-singing at times. After holding a long and high note I screamed, “fuck you!” I was able to purge my sadness and frustration with that final yell.