project image
Beth Chalmers
MOTHER'S PRIDE

first performed on April 7, 2017
Buzzcut Festival, Pearce Institute, Govan, Glasgow, Scotland
performed once in 2017

NATALIE RAMUS

Wales, UK
info@natalieramus.com
natalieramus.com

MOTHER'S PRIDE
NATALIE RAMUS

“Mother’s Pride” is a durational performance with the following materials:

350 loaves Mother’s Pride bread

120L milk

10m red shibari rope

1 mop

5 buckets

“Mother’s Pride” is a space which, like the body itself, is autonomous. Evolving over a period of nine hours, it becomes a site of meditation through action. It considers the maternal female within public space. As a mother, I feel much conflict between the label of “mother”—what society perceives that to be, and how I feel as a mother, artist, feminist, etc. The notion of what qualities society thinks makes a “good” mother is problematic, and I wonder how the role is performed on a day to day basis. I am asking myself—where does my performance of the label of mother end and my true embodiment of being a mother begin? Using Mother’s Pride bread and milk, which are materials evocative of comfort and happy nuclear families that never really existed, I will reclaim space. I will reclaim my right to define my own borders, my own edges, my own limits, and, ultimately, I will move closer to understanding what these are / where they lie.

I made a baby out of bread,

  Moulding its flesh against my own.
  Building connections forged through process, through  t i m e.
  The bread an extension of my flesh,
  The baby an extension of my body,
                              (of our bodies)    
  Decomposing [transformational] matter—spread between across surfaces
                      my flesh a glue
                                              b e t
                                                      w
                                                          e e n
  here and there // me and you